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human futures

by Dear Nora

supported by
Max Tundra
Max Tundra thumbnail
Max Tundra I love you, Dear Nora.
never angeline north
never angeline north thumbnail
never angeline north I love I love I love. Everything Katy makes is my favorite. This is my new favorite.

The production and grooves here are so good and really support Katy's observational, bittersweet lyrics with some nice self-harmonies. It all comes out feeling huge and beautiful while also staying so so small and personal in the way all of their work has been. What a gift we get to have here ❤️ Favorite track: fruitful streams.
DogsonLeashes
DogsonLeashes thumbnail
DogsonLeashes this album is such a beautiful masterpiece that really showcases the growth in artistry that dear nora has made over the years. every album has been a masterpiece but this one hit close to home in ways that i did not expect. It was hard to pick a favorite, but i love the story this one tells. I can't stop listening now, and i'm going to be blasting it for years to come. If you haven't spun it yet, this is your sign. Favorite track: sinaloan restaurant.
Dr. Thunder
Dr. Thunder thumbnail
Dr. Thunder Another witty, melancholy, and quietly catchy record from Dear Nora. Katy Davidson is the great indie rock chronicler of our present tech dystopia. Favorite track: shadows.
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    400 high quality, 160g, "Skull" natural opaque vinyl LPs in extra heavyweight, full color, reverse board jackets with fancy printing & 11" x 22", two-sided, full color, fold-out lyric sheet inserts. Album design by Actual Source. 12 tracks, 34 minutes.

    PLEASE NOTE THAT DUE TO EXTENDED VINYL MANUFACTURING TIMES, LPs AREN'T EXPECTED TO SHIP UNTIL APRIL 2023.

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      $22 USD or more 

     

  • Record/Vinyl + Digital Album

    300 high quality, 160g, classic black vinyl LPs in extra heavyweight, full color, reverse board jackets with fancy printing & 11" x 22", two-sided, full color, fold-out lyric sheet inserts. Album design by Actual Source. 12 tracks, 34 minutes.

    PLEASE NOTE THAT DUE TO EXTENDED VINYL MANUFACTURING TIMES, LPs AREN'T EXPECTED TO SHIP UNTIL APRIL 2023.

    Includes unlimited streaming of human futures via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $20 USD or more 

     

1.
I make billions in seconds flat and I stuff it under my cowboy hat yeah, you punk me and I'm perplexed but we all know what happens next so I made a wish on a distant moon anywhere I could find room for my flowers trying to bloom (far away from here) plastic as far as I can see and plastic ocean underneath yeah, I punk you and you eat it up and overfloweth my plastic cup I made a wish on a distant moon anywhere I could find room for my flowers trying to bloom (far away from here) plastic wrapped around a spoon deep sea scrolls of doom and listening to Flume (far away) I make billions in seconds flat and I stuff it under my cowboy hat yeah, you punk me and I'm perplexed but we all know what happens next
2.
sedona 02:20
she was born in a suburban place with suburban dinner on her plate moved to the desert when she was 10 'cause she was allergic to smog got into acting and she was good and she acted in all the plays that she could met a guy in a band and he said "wanna drive up north to Sedona?" two kids, yeah, things started to get real is time a construct or just a feeling? she turned 40 on the top of a car and she howled at the moon and she gazed at the stars she got divorced, it was an epilogue to the Spanish-American war returned to acting and she was good and she acted in all the plays that she could looking back at her life and she said it flows like the creek in Sedona 70 and just starting to feel old it's the shortest short story ever told
3.
shadows 03:59
shadows moving up the valley they’re all in my face packed up my car the next day and drove out in the rain into fields of, fields of yellow fields of, fields of purple shadows are in my rearview but what can I do? up around the corner is spring break in Lake Havasu and the DJ said “Nebraska in the house” now the snow is coming down sideways as far as I can tell and I’m up with the radiator clanking at the Weatherford Hotel I heard my song on tv didn’t notice immediately shadows from the clouds are forming over the peaks red is the color of the dust and the color in my cheeks crying tears into my huevos rancheros took a look at the mountain then drove out of the snow water flooded down streams where I went many years ago shadows in the canyon shadows, did I mention? vines on the wall in Tucson and drawings on the floor woke up, checked the listings, and I walked out the door the realtor asked if I listen to my intuition one crow died, fell off the cross, and one crow is alive what used to be America is just a place to drive shadow forces operating avatars are levitating volcano dust and juniper, my ancient Spirit child the skulls are dancing, night is young, the party has gone wild we are grown, then we're gone and our fossils are tossed along
4.
woke up from a dream about Lady Gaga then took a whiff of my coffee beans put on some tennies and a sweatshirt walked out the back door with the dogs pressed play on West Coast Fog spoke a little prayer to my god snow on the mountains, flowers fading bless all the loud conversations and restaurant reservations blessings to all imitations snow on the mountains, flowers fading woke up in a brand new situation with brand new limitations put in my earbuds and took a vitamin walked out the back door with the dogs did my best to tune out thoughts spoke a little prayer to my god snow on the mountains, flowers fading bless overused compression bless every unanswered question blessings to all life lessons snow on the mountains, flowers fading walked out the back door with the dogs pressed play on West Coast Fog spoke a little prayer to my god snow on the mountains, flowers fading bless all the loud conversations and restaurant reservations blessings to all simulations snow on the mountains, flowers fading
5.
reminiscing on days gone by I remember rivers, I remember streams now my optimism is running dry I remember autumn, I remember spring and I all I do is worry when the memories get blurry we trade human futures in our portfolios we're on the market, we're on the line and California is what I know I remember rain, I remember wine now the barges are all docking and the codes, they keep us shopping and the data's always watching while the clock just keeps on running out
6.
have you crossed the line to Mexico? my dad died many times years ago now on the table, staring at the light I move from grief to joy alone in a crowded restaurant looking at the storm clouds rolling in thinking of the world and the precedent and the border line playing at the edge of our awareness after years of going to that place I read about it in an article the Sinaloan restaurant is closed for good purchased in a semi-trance something called fake or real estate creates a loop of tension as we project playing at the edge of our awareness
7.
fruitful streams are on the tip of my finger and I never linger ‘til the end of the song I took a trip out of the garden of eden I've been riding that high now for so long it's just like we blew a fuse so much to choose and we all lose and so it goes fruitful streams are all I think about now the world's gone dry and I've parched my mouth I keep dreaming of streams and rivers but we're in a drought and they can't deliver it's just like we took a snooze so much to choose and we all lose and so it goes (reality, I love you babe, but you've completely gone away, I tried to get you to stay, you know the way I need you) it's just like we blew a fuse so much to choose and we all lose and so it goes
8.
no more space, no more time, no more truth, and nothing is real except a purple beetle buzzing around this airbnb cowboy I’ve got my look dialed in and my bolo tie and my wide-brimmed hat, I'm on IG live, and I’m pouring a hazy IPA I’ve got nothing to say I’ve got nothing else I can say so content in every way, no struggle, no suffering I've got a purple beetle by my side I'm an airbnb cowboy I’ve got my look dialed in and my bolo tie and my wide-brimmed hat, I'm on IG live, and I’m pouring a hazy IPA I’ve got nothing to say nothing to say no more space (how much did you buy for?) no more time (was there a bidding war?) no more truth, and nothing is real (the “reno” went way over budget!) except a purple beetle (sandblasted and smoothed by) buzzing around (virtual winds) this airbnb cowboy (the matrix is so convincing) so content (we’ve been to Miami) in every way (we’ve been to Rome) no struggle, no suffering (we rented a flat in Barcelona) I've got a purple beetle (the pilgrims are coming) by my side (the pilgrims are here) I'm an airbnb cowboy (what's real is obliterated)
9.
full moon shimmering on the sea the cat tried to get the calamari served up feta and melon slices left to nothing but our devices they built a mosque on top of the ruins grown men shoot guns at balloons prayer rings out on the patio time is an ocean and it ebbs and flows tiles, so Byzantine Medusa's head is green sailboats rock on the choppy waves eggplant salad is what we taste our life stories in the coffee grounds things are looking up, but we're going down in the final days of democracy I'm swimming with a dog named Lucy (a spa service to soothe anxiety) we're locked down, fucked, and we'll do it again we're going down tiles, so Byzantine Medusa's head is green
10.
you gave birth and you raised me and you let me do my thing we evolved from crustaceans into perfectly sentient beings from heartache to heartbreak from mistake to mistake mothers and daughters I got a phone call from half a state away now I'll take good care of you until you're doing ok from station to station can't deny my relation mothers and daughters
11.
I'm getting back a flag is just a folded cloth the surface of a thought against a wall stuck inside a vault into the fray, I go think I know it all, but I don't know rumbling underground I'm down and out but the sky is so clear I saw you on my screen your mind imploding it's satire and it's so surreal I miss my friends I miss the world I'm forced to deal into the fray, I go think I know it all, but I don't know rumbling underground I'm down and out but the sky is so clear
12.
five months on the go and I don’t know where I am right now 90 degrees at home out in Twentynine my world is turned upside down in San Francisco I retraced steps that I took when I was younger up Noriega and Haight on the bus then I stepped out into the fog El Paso then drove to Marfa and stood on the banks of the Rio cracked mud and it’s 107º and hoodoo goblins in my rearview me and my family in a Dodge minivan headed up the peninsula we crossed a river then crossed another one, then ate a disappointing pizza took a taxi then I took a ferry and I took a train to the hotel slept four hours then I woke back up again to catch a plane across the ocean five months on the go chased by my shadow and never looking over my shoulder eyes on the road wheels to the ground my world is turned upside down

about

human futures introduction by Chris Cohen:

I’m a huge fan of whatever Katy Davidson makes for many reasons – including, but not limited to, their timelessly crafty melodies, the thoughtful and unique way they look at the world, and their willingness to go in whatever direction they feel, wherever their interest lies. Dear Nora, Katy’s band since 1999, could sound like anything (and it’ll always sound like Dear Nora). Katy reinvents themselves at any moment, yet there is always the familiar face of a friend, taking us on a musical trip we didn’t know we needed to go on until we did.

This time around, Katy and the Dear Nora crew bring us human futures, which is their first LP recorded in a commercial recording studio. There are new kinds of songs, old kinds of songs, there is still the voice of beauty and sanity that I’ve come to know and love over the years. On songs like “scrolls of doom,” "sedona,” and “fruitful streams,” Katy leans more into the producer’s role than that of singer-songwriter – coaxing bandmates Greg Campanile (drums), Nicholas Krgovich (piano/synth) and Zach Burba (bass/synth/drums) through chord changes, beats, and stylistic blends, while writing vocal melodies on the spot. Everyone brings the most interesting parts out of each other and themselves. Here, Katy’s more like the ‘top-line’ writer as it’s called in the commercial music world where they work their day job as an original music producer for sync licensing. In this role on human futures, Katy composes the melodies, harmonies and lyrics, almost treating the other elements as if they were found – making this Dear Nora record much more collaborative than past ones and particularly contemporary in its process. There are also classic jams in the traditional songwriter mode like title track “human futures” and “mothers and daughters” that Katy brought into the studio more finished, but were then re-envisioned by the band. Even these have a different kind of sheen to them – something like Speak-era Roches and certainly bearing a resemblance to Dear Nora members' other projects (such as Nicholas Krgovich and Zacy’s or iji). “flag (into the fray)” is a different kind of collaboration, written long-distance with Greta Kline of the band Frankie Cosmos. It’s made up of two different verses that gradually merge into one, in a kind of call and response between songwriters of two different generations.

To me, the great strength of Dear Nora’s music is that it takes stock of its time and place and captures something that we can revisit later. The lyrics on human futures are written from multiple perspectives but they come from a world of people who travel great distances and are faced with too many options. Katy writes about our being incessantly surveilled and barely tethered to the physical universe and the life around us. Observation of the everyday and of our endlessly referential pop culture serves as a way to understand personal experience through poetic language – in this way human futures is a continuation of Davidson’s work from the early 2010s (e.g. California Lite by Key Losers) through Dear Nora’s 2018 LP Skulls Example, but for me the effect is very different. Instead of laughing at what is absurd and feeling concerned, I get what feels more like sadness or even grief. It seems like the world depicted in these songs will continue to become more unrecognizable and more unlivable – but this is also tempered by my feeling of being understood by this music, and that life itself, shadows and all, is still beautiful and mysterious in the eyes of Katy Davidson and Dear Nora.

credits

released October 28, 2022

all songs written between 2019-2022

lyrics and vocal melodies by Katy Davidson

songwriting and performance credits and lyrics listed on each individual song page

produced by Katy Davidson

co-produced by Zach Burba

additional production: Nick Krgovich, Greg Campanile, Phil Hartunian, Tim Shrout

engineered by Phil Hartunian at Tropico Beauty in Glendale, California

mixed by Tim Shrout

mastered by Matthew Barnhart
sequencing brainstorm crew: Chris Cohen, James Krivchenia, Jake Longstreth, David Longstreth

album art and design: JP Haynie and Davis Ngarupe at Actual Source

back cover photo: Leslie Lechner

Thank you:
Owen Ashworth, Phil Hartunian, Greta Kline, Cynthia Nelson, Miriam Zittel, Tim Shrout, Matthew Barnhart, Chris Cohen, James Krivchenia, Jake Longstreth, David Longstreth, Marianna Ritchey, Steve Schroeder, Andrea Zittel, Leslie Lechner, Gilad Carroll, Laurie Kearney, JP Haynie, Davis Ngarupe, Aaron Beck, Dear Nora fans everywhere

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